José Miguel Moreno
Vihuela and baroque guitar
Saturday, March 22, 2014
8 PM
CONVOCATION HALL | U of A Campus
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A soloist and chamber musician, founder of two ensembles dedicated to the performance of Spanish and European Renaissance and Baroque music – La Romanesca and Orphénica Lyra – José Miguel Moreno is recognized worldwide as an original instrument and early music specialist. He plays the vihuela , a flat-backed stringed instrument contemporaneous with the lute, as well as Renaissance and Baroque guitars, lute, theorbo, and Romantic guitar.
His performances display not only extraordinary mastery of his instruments but also reflect his deep knowledge of period performance and extensive research into the construction of early plucked string instruments. He has appeared in festivals and recitals around the world, collaborating with such artists as mezzo-soprano Teresa Berganza and gambist Jordi Savall.
The Spanish Guitar: 200 Years of History, 1500–1700
Featuring the Vihuela
| Anónimo (S. XVI ) |
Al alva venid |
| C. de Sermisy – M. de Fuenllana (S. XVI ) |
Glosa sobre Tan que vivray |
| L. Milán (ca. 1500 – ca. 1561 ) |
Fantasia XII |
| L. de Narváez (S. XVI) |
La canción del Emperador Cuatro diferencias sobre guárdame las vacas |
| Anónimo (S. XVI) |
Pues no me queréis hablar |
| D. Ortiz (ca. 1510 – ca. 1570) |
Recercada 5a Recercada 2a |
| A. Mudarra (1510 – 1580) |
Pavana de Alexandre Fantasía |
Featuring Baroque Guitar
| Francisco Guerau (ca. 1649 – ca. 1717) |
Marionas Canarios |
| Antonio Martín y Coll (S. XVII – XVIII) |
Canarios |
| Gaspar Sanz (1640 – ca. 1710) |
Españoletas Pavana al ayre español Rujero y Paradetas Folias Canción La esfachata de Nápoles La miñona de Cataluña Lantururú canarios |
“José Miguel Moreno is one of the great Spanish musicians of our century…” –Luis Gago, El País
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Please note that all concerts are subject to change without notice.
